Benedict XVI and the Arts. 1. The 2009 Meeting with the Artists
Benedict XVI’s meditations on the arts were unashamedly theological and Catholic. Yet, they make a challenging reading for everybody.
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A Historian Looks at the Controversies About MISA (the Movement for Spiritual Integration into the Absolute)
MISA’s teachings may appear new and shocking but they are based on ancient doctrines such as Chinese alchemy, Tantra, and Western Esotericism.
L. Ron Hubbard, Scientology, and the Visual Arts. 8. Art and Spirituality
Does Scientology offer a spirituality of the arts? Yes, answer some artists who are Scientologists.
L. Ron Hubbard, Scientology, and the Visual Arts. 7. The Scientologist as Artist
Through its Celebrity Centres, Scientology systematically interacts with the artists, be they superstars or “commercial” painters.
L. Ron Hubbard, Scientology, and the Visual Arts. 6. Montage, Color, Integration
Hubbard believed that integration between the elements of a work of art is the true key to its success.
L. Ron Hubbard, Scientology, and the Visual Arts. 5. Professionals vs. Amateurs
One becomes a professional artist by skillfully using the “ideal scene” and the “memory library,” two concepts typical of Hubbard.
L. Ron Hubbard, Scientology, and the Visual Arts. 4. Art and Illustration
Hubbard believed that, unlike mere illustration, art always elicits a contribution from its audience.
L. Ron Hubbard, Scientology, and the Visual Arts. 3. Art as Communication
The founder of Scientology believed that, if the technique endangers the transmission of the message, the artist should change the technique rather than the message.
L. Ron Hubbard, Scientology, and the Visual Arts. 2. The Myth of the Loose-Moraled Artist
For a certain culture, being a good artist came to be “commonly identified with being loose-moraled, wicked, idle, and drunken.” That culture, Hubbard believed, was wrong.
