日本の国会は、「恐怖心」にかられ、寄付者の「自由意思」を抑圧されたとされる不正な寄付に関する法律を可決した。
Massimo Introvigne
Hubbard, Scientology e le arti figurative. 7. Artisti Scientologist
Tramite i suoi Centri delle Celebrità, Scientology coltiva consapevolmente il rapporto con gli artisti, che si tratti di superstar dell’arte o di pittori “commerciali”.
La loi japonaise sur les dons religieux. 3. Un précédent américain
En 1931, dans l’affaire historique « Ministère Public contre Blackburn », la Cour suprême de Californie a déclaré que la liberté religieuse protège, même pour un mouvement religieux marginal, la revendication d’une connaissance religieuse inspirée et la collecte de dons.
Ley de Donaciones Religiosas de Japón. 3. Un precedente estadounidense
En 1931, en el caso histórico “People v. Blackburn”, la Corte Suprema de California declaró que reclamar un conocimiento religioso inspirado y recolectar donaciones incluso para un movimiento religioso marginal es parte de la libertad religiosa.
L. Ron Hubbard, Scientology, and the Visual Arts. 7. The Scientologist as Artist
Through its Celebrity Centres, Scientology systematically interacts with the artists, be they superstars or “commercial” painters.
Hubbard, Scientology e le arti figurative. 6. Montaggio, colore, integrazione
L’integrazione tra gli elementi dell’opera per Hubbard è l’elemento decisivo per un risultato artistico di successo.
L. Ron Hubbard, Scientology, and the Visual Arts. 6. Montage, Color, Integration
Hubbard believed that integration between the elements of a work of art is the true key to its success.
Ley de Donaciones Religiosas de Japón. 2. “Miedo” y fraude religioso
La nueva ley, al prohibir las donaciones basadas en el “miedo” a las desgracias en esta o en la próxima vida y en la confianza en maestros “inspirados”, de hecho, mira con sospecha a todas las religiones.
La loi japonaise sur les dons religieux. 2. La «peur» et la fraude religieuse
En interdisant les dons fondés sur la «peur» de préjudices dans cette vie ou dans l’au-delà, et sur la confiance en des guides «inspirés», la nouvelle loi jette la suspicion sur toutes les religions.
Hubbard, Scientology e le arti figurative. 5. Dilettanti e professionisti
L’artista professionista è chi sa usare adeguatamente la “scena ideale” e la “collezione di ricordi”, due concetti tipici di Hubbard.
Massimo Introvigne
Massimo Introvigne (born June 14, 1955 in Rome) is an Italian sociologist of religions. He is the founder and managing director of the Center for Studies on New Religions (CESNUR), an international network of scholars who study new religious movements. Introvigne is the author of some 70 books and more than 100 articles in the field of sociology of religion. He was the main author of the Enciclopedia delle religioni in Italia (Encyclopedia of Religions in Italy). He is a member of the editorial board for the Interdisciplinary Journal of Research on Religion and of the executive board of University of California Press' Nova Religio. From January 5 to December 31, 2011, he has served as the "Representative on combating racism, xenophobia and discrimination, with a special focus on discrimination against Christians and members of other religions" of the Organization for Security and Co-operation in Europe (OSCE). From 2012 to 2015 he served as chairperson of the Observatory of Religious Liberty, instituted by the Italian Ministry of Foreign Affairs in order to monitor problems of religious liberty on a worldwide scale.